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Mike Newell, as the first British director entrusted with a series entry, oversees plenty of spiffing special-effects action - the Quidditch World Cup final, a dragon fight, an underwater sequence and Gary Oldman’s (all-too-brief) fiery apparition - but as one would expect, he does a good job with the more personal, realistic emotional content, bringing on the young leads’ performances noticeably in the process. is so preoccupied with plotting against the promising pipsqueak Harry is presumably something to be clarified for cinema audiences in the fullness of time.) For the maturing Potter core audience this is well-developed, with teasing terrors and skin-crawling set-pieces as the dark Lord Voldemort rises again - as all dark lords must, it seems, DLs notoriously being even harder to kill totally dead than the nut-job in Halloween. But it’s not the burgeoning sexuality that’s landed the picture its 12A certificate, rather its genuinely darker vein of fantasy horror. Teen angst and relationship problems are pretty boring if you’re six.
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This is certainly not a movie for young children, however engaging its characters and comic touches. Welcome to Harry Potter And The Rampaging Hormones. Making quite the grand entrance are the chic girls of Beauxbatons Academy and the hunky boys of Durmstrang Institute.
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New to the mix is the embarrassing reality of tortured adolescence, with sexual awakenings and brooding mood-swings exacerbated by the added distraction of glamorous foreign exchange students. This means, as ever, secrets and treachery within, hostilities with classmates and life-threatening magical sports days. The fourth offering in the Harry Potter franchise sees The Boy Who Lived and his chums trying to get through another year at the increasingly dangerous Hogwarts School Of Witchcraft And Wizardry.